Patricia Hammond

And so to the Somme. We went in Matt’s car, with lots of water, and lots of CDs.

It was a full trip…this will be a long blog!

Before I start, look in your diary and try to wedge in a visit to the EXTRAORDINARY exhibition at Whitgift. A better exhibition of the First World War would be very very hard to find. It is a one-of-a-kind event, and the (VERY rare, fascinating) objects will return to private hands in a couple of months. Very reasonable prices indeed, a token price really, and a lovely cafe with antique furniture and zeppelin shortbreads at the end. It is never crowded and…just go. In South Croydon, you can use your Oyster card to get there, open seven days a week. Even the piano in the Edwardian Drawing-room has history. The Turn of the Screw was written on it! http://www.remembering1916.co.uk/

Right! The Somme! On the first day we went to the amazing museum in Peronne, Historial de la Grande Guerre. It is in a castle and on a lake, light and modern inside, with THE collection of Otto Dix’s disturbing, incredible, jaw-dropping etchings. They pull no punches. The Historial not only have our CD in their gift shop, it is on a listening post. Parking was a challenge; there were ribbons, traffic cones and stickers everywhere and we asked a guard at the museum why all the restrictions and he said “La visite de la Reine d’Angleterre.” So there we are. Despite our passports’ saying that Her Britannic Majesty requests and requires us to pass freely, the (imminent) presence of Her Britannic Majesty was doing a bit of hindering in that picturesque town.

It was a taste of things to come. The security in the region was staggering. One of the reasons I cannot provide decent footage of our big appearance at the German commemoration of the battle of the Somme on the 1st of July is because the Gendarmes wouldn’t let the BBC in because their cameras were too big for their ‘security’. As if they’d be hiding firearms in them?

The day of our sound-check, we started early and went to the equally lovely town of Albert…This place was event more crowded. With re-enactors, tour-buses, cheese sellers, and a Hundred Pipers. A hundred. From many nations. I spoke with a French biker who loved bagpipes so much his arms and legs were covered in tattoos of them. The tourist office, which is in a converted 1920s swimming-bath, very gladly took delivery of 10 of our CDs and had us do an impromptu performance in said converted swimming bath. There I discovered that “La Madelon” is basically the region’s “Tipperary”. EVERYONE knows it. They sing along, they add interpolations, they dance…I have a photo of Matt playing in this place but none of the two of us, though plenty and plenty were taken. Footage too. I often wonder where this ends up. We must be on hundreds of mobile phones, all told. The museum at Albert, the “Musee Somme 1916” is an atmospheric affair and you descend into these underground passages that were the Basilica’s crypt but used in the war, and emerge into a sort of sunken park, where enormous hogs were roasting, and WW1 planes and stalls were all set out for the anniversary. They also have our CD for sale, and although they don’t have listening posts, during their celebrations and fireworks and hog-roast they put the CD on the PA system in the garden. The marvellous woman who organised the festivities wrote to me “The CD was amazing! We thought we were at the beginning of the last century!”

The sound-check for the event at the Fricourt Cemetery for the Volksbund Deutsche Kriegsgräberfürsorge went well…and afterwards the VDK Reservists and the incredible Arne Schrader, Bundeswehr and all-round complete and utter dynamo, went to the English cemetery nearby in Fricourt to lay a wreath, and Matt and I spontaneously performed “Roses of Picardy”. There were roses in that little cemetery as well. Amazing. We had an offer to perform at a restaurant in Albert but after 8pm there was to be a security lockdown and we didn’t want to be caught in it! (click on the image if you’d like it larger)

On the 1st, security was so tight in the region because of the royalty and the politicians, we had to have special passes. Once through, it was terribly eerie. No traffic, and the occasional helicopter and the occasional coachload. And ALL the crosses. It is like a patchwork, that region. A large patch of white crosses here, another of stone ones. And the German ones stark black crosses, except for the Jewish graves in them, which are stone and semicircular. And then another patch of white crosses. And again, and again. No end to it.

The ceremony was long, varied, and had representatives from the Gurkhas, the British, New Zealand, Australia, America, France…and young players from the FC Liverpool and Hertha BSC Berlin taking it in turns to read letters from the battlefields in both English and German; a children’s choir from Southport, Australia; a local French choir; German Army Band from Siegburg; and Matt and me. We performed “Bald Allzubalde” and then, after the Southport School Band of Brothers sang the first two verses of Eric Bogle’s “Green Fields of France” Matt modulated down and we sang a French verse, then went up again for one in German. Perhaps footage from someone’s phone will surface. Who knows. It was a large crowd. And an extraordinary occasion. I do wish there had been better UK coverage of it because several people I’ve spoken to since wondered if there WAS any commemorating on the Germans’ part. Well, there absolutely was. They also hired eight portable toilets to put on the main road by the cemetery for the week, and tour-buses kept stopping there for their passengers (mostly from the UK) to unload, which they did with no sign of recognition that these necessary facilities were provided by the Volksbund Deutsche Kriegsgräberfürsorge. I think they reckoned that they’d been placed there by the tour-companies. German Reservists ensured that there was always, always a plentiful supply of toilet roll, as well.

The weather was all over the place. Sudden downpours followed by scorching heat, followed by gales and flurries. We performed under a little tent. Allzeit Bereit, as the Pfadfinder say. At one point, a branch came down. The Reservists, Police Officers from Northern Germany, and Siegburg band stood unflinching.

Afterwards there was a knees-up for the local population which we sang at, and sold out of CDs. The person who went away empty-handed said he’d buy his off my BIG CARTEL page, and…he did! Three copies! I met a fascinating couple from the Netherlands, Hendrik and Hanne. He is a composer and historian, and his WW1 project is well worth looking at. He doesn’t reconstruct what the songs would have sounded like a century ago, as we do, but interprets the poetry and letters from the war in our modern idiom, seeks his own expression of the horrors of the time. It involves spoken word and electric guitars and much else besides. His website is HERE.

The next day, Matt and I performed at the Canadian ceremony at Courcelette. It was to commemorate the 22e Regiment, from Quebec. I found their Regimental song, which so enchanted a local choir director (it is lovely to see how many people living in the region turn up at these events) that he asked for the music, which I very happily gave him. He says that he’ll have his choir perform it. How marvellous that, a hundred years after these young men were singing this song on that very soil, the song should return to it!

There were no tents at this event, except the huge marquee for the celebration and food afterwards (lavish) which made the whole thing airy and light, though terribly exposed. Torrential downpours meant that volunteers and representatives of the Canadian Government scurried about with paper towels twice before the thing started. There was a Bagpiper whose sister lives in the same small town I come from (so Canadian, these connections) and an excellent band. The wind during our number blew the microphone aside at one point, and the camera on the live-stream at another! You can see it on the extract from said live-stream, above…We performed in the Marquee afterward, and it was amazing: again, Madelon proved the big number. Fellows with Canadian flags in their lapels sang it with us. The Hon. Kent Hehr, Minister of Veterans Affairs, came up specially to watch us and tell us that he liked our performance. What an extraordinarily gracious man.

Soon after our return to the UK we performed a Versatility Serenaders gig in the Buxton Festival which we have some footage of, hurrah! If you have not subscribed to my YouTube Page, please do, and then you can see these bits as soon as they’re uploaded. Be prepared to hear “Oh Oh Antonio” as you’ve never heard it before.

For those up North, or those fancying a trip there, I will be performing “Pack Up Your Troubles” (tickets HERE) with the Two Toms (not their official name, but really they are) Tom Carradine and Tom Cutler, in an evening of song and story from the 1st and 2nd world wars. It will be at The Swan in Dobcross, a really really lovely pub theatre. And at 2pm on that same day, I’ll be assisting at Tom Carradine’s Cockney Singalong, perhaps in the garden, weather-permitting!

After recording the CD “Songs of the Great War” I sent a copy to the German War Graves Commission; I was interested in finding out more about the composer of “Bald Allzubalde”. The old sheet music in which I found the song (dated 1917), said that he’d composed it on the 20th April, 1916 and died there on the 7th of June, 1916. They told me they would start a search, and incidentally, they liked my CD and performance and would I and Matt be interested in coming over and singing the song, and a couple more, at the hundredth anniversary commemoration of Verdun? Would we!

Here I think I should remind everyone what this extraordinary song sounds like:

And it uses accordion, guitar and clarinet on the CD! Well, two months ago, Arne Schrader of the Volksbund Kriegsgräberfürsorge contacted me to tell me that they have found him! He was buried nameless, as “E.B.” of the 39th Fusiliers. And they sent me the exhumation photos. I have never, ever had an experience like this! They positively identified him, and found that he had been buried with a clock. On the 27th of this month, I and Matt will go over there and with some Wandervogel, or Boy Scouts, lay a wreath on his grave, restore his name to him, and sing this song over him. As I say, amazing. Then the next day we will perform at the Romagne sous Montfaucon cemetery, where a Commonwealth, a German and a French section lie side by side, and a lone trumpeter will stand at each, and perform “Aux Morts,” “Ich hatt’ einen Kameraden” and “The Last Post” in turn, and we will sing later in the ceremony. This story of Ernst Brockmann, young composer buried without a name, is one that I was certain that the radio would be all over. I have told as many producers as I can find, but no bites. Astonishing, really. If anyone knows anyone, please spread the word. I think this is a great story, and important.

Never mind!

We’ll be rushing from the Verdun battlefields to the Yorkshire Dales to demonstrate wax cylinder making…driving through the night!

I was also hugely honoured to be a living exhibit in the Edwardian Parlour that is in the TRULY BRILLIANT and UNMISSABLE exhibition “Remembering 1916” that is in South Croydon at the Whitgift School…seriously, GO. It is a fiver for seniors, seven quid for adults, next to nothing for students.

Open to the public from 10-5 daily. It has more rarities than I would have thought possible, and is put together with passion and no expense spared. Take a train from Victoria, and just go! Then I sang in the concert that opened the exhibition. That is one extraordinary school.

My CD “Songs of the Great War” has been reviewed by a major critical music journal, at long last (Well, you see, it’s not classical, and it’s not jazz, is it! Even Norman Lebrecht sympathised) But bless the American Record Guide, they DID review it. Read it HERE.

Oh! On the 26th of June I’ll be performing songs about the cinema with the Mighty Wurlitzer, at the Musical Museum in Kew! With, moreover, Donald MacKenzie at the console! Following me will be Laurel and Hardy’s “Angora Love”, Mack Sennett’s “Teddy at the Throttle” and Charlie Chaplin in “The Rink”, all with Wurlitzer accompaniment! Starting at 3pm. Do come along and say hello!

The Renaissance CD is all recorded, and all I’m waiting for is booklet text approval from my colleagues! I’ll announce when this beauty will be available! It’s tremendous fun, and will contain the bawdy Broadside Ballad “Watkins Ale”. And this song: