Welcome to
Patricia Hammond and Matt Redman
Living Room Requests

Below is an ongoing directory of songs requested and performed since March 2020. Scroll down and click on any title to see and hear us live.

If you do find the song you would have asked for on this page but would love to hear it performed with, say, another of Matt’s MANY instruments, or with another personal dedication, do let us know!

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A Nightingale Sang in Berkeley Square
Adelaide (Beethoven)
Ae Fond Kiss
Ain’t Misbehavin’
Alexander’s Ragtime Band
All of Me (John Legend)
All of Me (John Legend…in Italian!)
All the Things You Are
An die Freude
April in Portugal
As the Sun Goes Down
Auf dem See
Batti, Batti O Bel Masetto (Don Giovanni)
Bei Männern, welche Liebe fühlen
Believe Me, If All Those Endearing Young Charms
Beyond the Sea (also see below, La Mer)
Black Velvet Band
Bless em All
Blue Bayou
Boiled Beef and Carrots
Both Sides Now
Careless Love
Carolina Moon
Cool Water
Dance Me to the End of Love  
Dear Old Donegal
Deep Purple
Der Vogelfänger bin ich ja
Du Hast den Farbfilm Vergessen
English Country Garden
Every Time You Say Goodbye
Fields of Gold
Galway Bay
Garífallo st’aftí
Georgia on my Mind
Ghost Riders
Goodbye, Little Dream, Goodbye
Guide me O Thou Great Redeemer
Harvest Moon
Hawaiian Twilight
Hear my Song, Violetta
How Great Thou Art
How Long Great God (Purcell)
How Long Will I Love You
I Can See Clearly Now
I Can’t Get Started With You  
I Can’t Give You Anything But Love, Baby
I Don’t Want to Set the World on Fire
I Dreamt I Dwelt in Marble Halls (with zither banjo)
I Dreamt I Dwelt in Marble Halls (with harp)
I Know Where I’m Going
I Live the Life I Love (and I Love the Life I Live)
I Took My Harp to a Party
I Wonder If You Miss Me Sometimes
Ich Kusse Ihre Hand, Madame
If I Knew You Were Coming I’d Have Baked a Cake
If I Needed You
I’ll Build a Stairway to Paradise
I’ll Fly Away
I’ll Never Let a Day Pass By 
Im Abendrot
I’m Going to Wash My Hands of You
I’m Old Fashioned
In Darknesse Let Me Dwell
In the Baggage Coach Ahead
Indian Summer
Industry Required
It’s Our World
Just a Little Love, a Little Kiss
Just the Way You Are (Bruno Mars)
Keep the Home Fires Burning
Killing Me Softly (With His Song) 
La Carnauba Waltz (Matt Redman)
La Mer (also See above for Beyond the Sea)
La Vie en Rose
Let Me Sing and I’m Happy
Let the Rest of the World Go By 
London Pride
Looking at the World thru Rose Coloured Glasses
Love Changes Everything
Love is Like a Violin
Love is the Sweetest Thing
Lovely Day (Bill Withers)
Memory from Cats
Mood Indigo
Mud, Mud, Glorious Mud
My Ain Folk 
My Curly-Headed Baby
My Favourite Things
My Lagan Love
My Sister and I
Mythical Kings and Iguanas
Non So Piu Cosa Son (Marriage of Figaro)
Northwest Passage
Ocean Eyes
Oh Danny Boy
Oh, Donna Clara
On the Street Where You Live (My Fair Lady)
On the Sunny Side of the Street
One Day Like This (Elbow)
Pa- Pa- Pa- Papageno
Patience (Take That)
Penny Serenade
Perhaps Love
Plaisir d’Amour
Play Fiddle Play
Poor Butterfly
Poor Wayfaring Stranger
Quand l’Amour Meurt
Ragtime Echoes
Recuerdos de la Alhambra
Red River Valley (incorporating Happy Birthday) 
Roses of Picardy
Run by Snow Patrol
Russian Lullaby
Scarborough Fair
Scarlet Ribbons
Secrets of the Old
Sei Nicht Bös
Send in the Clowns
Shall We Dance (the King and I)
She Moved Through the Fair’
Skye Boat Song
Smoke Gets in Your Eyes
So in Love  
Softly Sighing by the River (Pirates of Penzance)
Some Enchanted Evening (piano)
Some Enchanted Evening (ukulele & accordion)
Some Little Bug is Going to Find You Some Day
Someone to Watch Over Me
Somewhere Over the Rainbow
Sousa’s Washington Post March
Stranger in Paradise  
Stravinsky Four Russian Songs
     1. Drake 
     2. Spiritual
     3. Ducks, Swans, Geese
     4. Tilimbom
Sweet Georgia Brown
Take Me To Your Heart Again (Vie en Rose in English)
The Blanket on the Ground
The Fields of Athenry
The First Time Ever I Saw Your Face
The Glow Worm
The Holmfirth Anthem (Pratty Flowers)
The Holy City
The Impossible Dream (12 string)
The Impossible Dream (piano and toy piano)
The Lullaby of Broadway
The Man That Got Away
The Man Who Plays the Mandolino
The Mountains O’Mourne
The Old Churchyard
The Parting Glass
The Patriot Game
The River
The Rose
The Salley Gardens
The Sunshine Of Your Smile
The Way We Were
The White Rose of Athens
The Wild Rover (No Nay Never)
There’ll be Bluebirds Over the White Cliffs of Dover
There is Always Something Fishy About the French
These Boots Are Made For Walking
Those Were the Days
We’ll Meet Again
What a Wonderful World
What is Life (Orfeo)
When I am Laid in Earth
Where are the Songs We Sung
Where Have All the Flowers Gone
Who Knows Where the Time Goes
Wien, du Stadt Meiner Träume
Wind Beneath My Wings
You’d Be Surprised
You’ve Got a Friend
You’ve Got a Friend in Me
Your Song
Zigeuner (Noel Coward’s Bittersweet)
Zorba’s Dance

6 visitors left comments...

  1. Ken Mathews Says:

    On Saturday the 18th of November, Patricia and Matt Redman came to our village, Oborne, which is just outside Sherborne in Dorset, and put on their concert ‘Songs of The Great War’. It was brilliant! In fact, in a way it was a pity that they were up on a stage as their performance is so wonderfully informal – we could all have been sitting around the fireside at home – a family gathering! Patricia’s sang the songs – she really does have a beautiful voice – and the virtuoso Matt accompanied her on a whole range of stringed instruments. Although the background to the songs – the Great War – is somber, there was nothing maudlin or sentimental about the music – well, alright, just a little bit sentimental at times! But with their relaxed style and their chatter about the songs and Matt’s instruments, it was a hugely entertaining and fun evening, one that we will long remember. We want them both to come back to Oborne as soon as possible to do their 1940’s concert. Thank you Patricia and Matt for coming a long way to deepest Dorset and giving us a truly great evening.

    Ken Mathews


    I asked for IN DARKNESS LET ME DWELL by JOHN DOWLAND published 1610 apparently but I really hope it was actually written before then and Queen Elizabeth who died in 1603 at least heard it because I always think Patricia sings it as Gloriana herself might have when free from fortune and mens eyes – Notoriously insomniac and plagued by terrible dreams when she did at last doze off. a tormented spirit full of righteous anger and secret gnawing guilt. I have always found the Renaissance lute a strange shell of death as it exists in Europe – it was clearly designed as a parlour instrument because even birdsong will drown it let alone a soaring Mezzo . What Matt gives us here is a kind of Mythic – Dowland fled from the Court of King James I to the Ottoman Porte. James was a Protestant a pedant and a graceless bogey picking bore. Dowland was a Catholic so he had to go as many others did. He spent time in Denmark and The Empire He might have sailed to Constantinople. THIS IS THE TURKISH VERSION Matt plays an Oud the lutes great grandfather, much louder fretless and built for melodic improvisation. Patricia even chose a dress that looks 16th Century Turkish a lot more comfortable than the stand up by themselves monstrance’s of Elizabeth’s reign. I was surprised I had overthought the event and it turned out as something new and brighter despite the melancholy words obsessed by death .


    Go get one booked and sung – its like being a Duke of Chandos or a Prince Esterházy for ten minutes before coming down bang to earth.


    Patricia I just listened to the latest home concert. I had been a little concerned about the later verses of ‘My Lagan Love’ as it gets a lot steamier round verse three or four and becomes just the kind of thing an old Irish Baritone that had too much the drink taken, would pull his vulcanised rubber teeth out for.
    “Her warm kiss is felicity that knows no trace of sin”
    I need not have worried you sensed its ancient barbaric roots and sang it like a high priestess in the depths of the great tumulus at New Grange reinforced by Matts eerie thundering BASS. If ever an instrument created its own mythic space its that one. And then the strange words the old aural similes the bogwood fire all fitted in a Song of Hearts desire.
    I think it’s one of your great gifts that you can hold and hold those long notes and then slowly bend them like gold wires without losing forward momentum.

  5. NHPR Folk Music Events Calendar 8/23/20 – Warta Saya Says:

    […] Extensive list of songs performed in recent weeks: individual songs: http://patriciahammond.com/requests/  performances: […]


    I just watched and heard the latest recital and have no fears ‘HOW LONG GREAT GOD’ sounds like the masterwork it is and your nose probably itched from delivering that disembodied angel head voice with all its ornaments glittering and every single word as clear as glass. I think the earthy rumble and density of the organ counterpointed the vocal swirls wonderfully – the Melotron does a grand impersonation without the bulk and mass of a pipe organ – I need to listen again, for the harpsichord now I am not worried about the words . As Matt said at the end it is a perfect document of its time – the dawn of the Age of Enlightenment. The upward Baroque gaze of “Points again to Thee” was a perfect touch. From now on you TOTALLY OWN THIS as a finisher or an Encore or even as a Funeral Song

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